Vocal Music

Mary Loves the Flowers

Artist (Composed By): 
Foster, Stephen C. (Collins)
1850

“Mary Loves the Flowers” was entered and deposited for copyright on January 16, 1850, by Firth, Pond & Co. 

Massa’s in de Cold Ground

Artist (Composed By): 
Foster, Stephen C. (Collins)
1852

WARNING: This is a blackface minstrel song, a genre that features demeaning caricatures rooted in racism and white supremacy.

“Massa’s in de Cold Ground” was submitted for copyright entry on June 29, 1852, and for copyright deposit on July 7, 1852, by Firth, Pond & Co. Clark’s School Visitor republished the song in December, 1859, with the permission of Firth, Pond & Co. The song’s more familiar title, “Massa’s in de Cold, Cold Ground” did not appear until the Oliver Ditson Company issued it under that title in 1867. 

Mighty lak’ a Rose

Artist (Composed By): 
Nevin, Ethelbert
1901

WARNING: Written by white lyricist Frank L. Stanton and composed by white composer Ethelbert Nevin, this song features dialect intended to portray the singing character as Black.

With a text by Frank L. Stanton, this song was published by John Church in 1901. Holograph sketches of the song are found in the Ethelbert Nevin Collection.

Mother, Thou’rt Faithful to Me

Artist (Composed By): 
Foster, Stephen C. (Collins)
1851

“Mother, Thou’rt Faithful to Me” was submitted for copyright deposit on March 18, 1851, by F. D. Benteen of Baltimore. 

According to Evelyn Foster Mornweck’s The Chronicles of Stephen Foster’s Family:

My Boy Is Coming from the War

Artist (Composed By): 
Foster, Stephen C. (Collins)
1863

There is no record of copyright entry or deposit for “My Boy Is Coming from the War,” but the copyright claim on the title page is for 1863. George Cooper authored the lyrics.

My Brodder Gum

Artist (Composed By): 
Foster, Stephen C. (Collins)
1849

WARNING: This is a blackface minstrel song, a genre that features demeaning caricatures rooted in racism and white supremacy.

“My Brodder Gum” was submitted by Firth, Pond & Co. on October 1, 1949. While the title on page three read “My Brodder Gum” the title page read “My Brudder Gum.” In the text of the song both spelling are used and were probably both included in Foster’s original manuscript.

My Dream

Artist (Composed By): 
Foerster, Adolph M. (Martin)
1893

For voice and piano. The manuscript, in Foerster’s hand, dated February 6, 1893.

My Hopes Have Departed Forever

Artist (Composed By): 
Foster, Stephen C. (Collins)
1851

“My Hopes Have Departed Forever” was entered for copyright deposit on August 4, 1851, by Firth, Pond & Co of New York. The text is a paraphrase of verses two through four of Percival’s “The Winds of the Winter Are Over.” The text also appeared under the same title in a sheet music edition issued by John Cole of Baltimore in 1822 or 1823. It is possible that Foster knew the song from childhood. 

The title page on some of the early published sources indicate it was “written and composed by a lady.”

My Old Kentucky Home, Good Night!

Artist (Composed By): 
Foster, Stephen C. (Collins)
1853

WARNING: This is a blackface minstrel song, a genre that features demeaning caricatures rooted in racism and white supremacy.

“My Old Kentucky Home, Good-Night!” was entered and deposited for copyright twice. One occurred on January 11, 1853, with no title page. The second occured on January 31, 1853.

“My Old Kentucky Home” was arranged for guitar and submitted for copyright deposit on August 23, 1853, also by Firth, Pond & Co.

My Son

Artist (Composed By): 
Pace, Charles H. (Henry)
1946

For solo voice and piano.

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