Vocal Music

Linda Has Departed

Artist (Composed By): 
Foster, Stephen C. (Collins)
1859

Firth, Pond & Co. deposited Stephen C. Foster’s “Linda Has Departed” for copyright on March 1, 1859. The lyrics were written by William Henry McCarthy, a friend of the composer from Pittsburgh. 

In The Chronicles of Stephen Foster’s Family, Evelyn Foster Morneweck relays a story about a riverboat trip Stephen took with his friend Billy Hamilton:

Little Belle Blair

Artist (Composed By): 
Foster, Stephen C. (Collins)
1861

“Little Belle Blair” was submitted for copyright deposit on November 5, 1861, by John J. Daly of New York.

Little Boy Blue

Artist (Composed By): 
Nevin, Ethelbert
1891

“Little Boy Blue,” by Ethelbert Nevin, was published in 1891 in the set Five Songs, op. 12. Eugene Field wrote the text. Two holograph sketches are found in the Ethelbert Nevin Collection. 

Little Ella

Artist (Composed By): 
Foster, Stephen C. (Collins)
1853

“Little Ella” was entered for copyright on December 13, 1853, by Firth, Pond, & Company. Foster arranged “Little Ella” with guitar accompaniment (copyright December 5, 1854), which introduced melodic changes that Foster had his publisher introduce retroactively into the piano-vocal version.

Little Jenny Dow

Artist (Composed By): 
Foster, Stephen C. (Collins)
1862

“Little Jenny Dow” was submitted for copyright deposit on January 10, 1862, by Horace Waters of New York.

“Little Jenny Dow” is one of several Foster songs that use the name “Jenny” in the title. The others are “Jennie’s Own Schottisch” (which is part of The Social Orchestra), “Jennie’s Coming o’er the Green,” “Jenny June,” and the original draft of “Jeanie with the Light Brown Hair.”

Lizzie Dies To-Night

Artist (Composed By): 
Foster, Stephen C. (Collins)
1861

“Lizzie Dies To-Night” was entered for copyright on May 9, 1861, and deposited on May 23, 1861, by Daughaday & Hammond of Philadelphia. The author of the lyrics was Mary Bynon Reese. The song was originally published in Clark’s School Visitor in May, 1861. Horace Waters’s sheet-music edition from 1862 includes corrections.

Love Song, op. 23

Artist (Composed By): 
Foerster, Adolph M. (Martin)
1887

“Love Song,” for soprano and orchestra, is a setting of a poem by Amelia Rives by Adolph M. Foerster. The manuscripts survive in the composer’s hand. 

Lula Is Gone

Artist (Composed By): 
Foster, Stephen C. (Collins)
1858

Firth, Pond & Co. entered and deposited “Lula Is Gone” for copyright on April 19, 1858. Foster wrote a companion song called “Where Has Lula Gone” that was copyrighted shortly after on September 7, 1858.

According to Evelyn Foster Mornweck’s The Chronicles of Stephen Foster’s Family:

Maggie by My Side

Artist (Composed By): 
Foster, Stephen C. (Collins)
1852

Firth, Pond & Co. entered “Maggie by My Side” for copyright on October 14, 1852, depositing a title page on that day as well. An arrangement of “Maggie by My Side” with guitar accompaniment was entered and deposited for copyright on September 20, 1854, by Firth, Pond & Co.

According to Evelyn Foster Mornweck’s The Chronicles of Stephen Foster’s Family, “After his return from the South in March, 1852, Stephen published that year ‘Massa’s in de Cold Ground,’ ‘The Hour for Thee and Me,’ ‘I Cannot Sing Tonight,’ and ‘Maggie by My Side.’”

Marilyn Horne Foundation Records, 1991–2011

The Marilyn Horne Foundation was formed in 1993 to promote the art of the vocal recital. Marilyn Horne, mezzo soprano, is widely recognized as one of the greatest opera performers in history. Horne started her foundation because she grew worried that the tradition of the song recital was disappearing. The eminent opera star wanted to support young recitalists and give them the opportunity to refine their craft.

Pages