All Music

Verzweiflung, op. 51

Artist (Composed By): 
Foerster, Adolph M. (Martin)
1924

Adolph M. Foerster’s Verzweiflung, op. 51, for soprano and orchestra, was published by Schuberth in 1924. The manuscrips for the parts are in an unknown hand. A manuscript in Foerster’s hand of a song for voice and piano with the same title and opus number is dated December 31, 1898. 

Village Bells Polka

Artist (Composed By): 
Foster, Stephen C. (Collins)
1850

“Village Bells Polka” was entered for copyright deposit on October 15, 1850, by F. D. Benteen of Baltimore.

According to Evelyn Foster Mornweck’s The Chronicles of Stephen Foster’s Family:

The Village Maiden

Artist (Composed By): 
Foster, Stephen C. (Collins)
1855

“The Village Maiden” was submitted for copyright deposit on September 17, 1855, by Firth, Pond & Co.

According to Evelyn Foster Morneweck’s The Chronicle of Stephen Foster’s Family:

In the six months immediately following his father’s death, Stephen published only two songs, “The Village Maiden” and “Comrades, Fill No Glass for Me.” The words of “The Village Maiden” are plaintive and sad, of old-time ballad style; the melody is much better suited for religious purposes than some of the hymn tunes that he turned out later in life.

Virginia Belle

Artist (Composed By): 
Foster, Stephen C. (Collins)
1860

“Virginia Belle” was entered for copyright deposit on November 15, 1860, by Firth, Pond & Co.

The Voice of By Gone Days

Artist (Composed By): 
Foster, Stephen C. (Collins)
1850

“The Voice of By Gone Days” was submitted for copyright deposit on June 28, 1850, by Firth, Pond & Co. of New York.

The Voices that Are Gone

Artist (Composed By): 
Foster, Stephen C. (Collins)
1865

“The Voices that Are Gone” was submitted for copyright deposit on March 23, 1865, by Wm. A. Pond & Co.

A holograph manuscript is held by Library of Congress (ML96.F8 Case).