All Music

Happy Hours at Home

Artist (Composed By): 
Foster, Stephen C. (Collins)
1862

“Happy Hours at Home” was submitted for copyright deposit on November 22, 1862, by John J. Daly of New York.

Hard Times Come Again No More

Artist (Composed By): 
Foster, Stephen C. (Collins)
1854

“Hard Times Come Again No More” was entered for copyright on December 16, 1854, and deposited for copyright on January 17, 1855, by Firth, Pond & Co.

A guitar arrangement was published in 1855, although there is no record of copyright entry or deposit. Beginning with “Come with Thy Sweet Voice Again,” Firth, Pond, & Co. did not copyright any of Foster’s arrangements for voice and guitar.

In The Chronicles of Stephen Foster's Family, Evelyn Foster Morneweck writes,

He Is Real

Artist (Composed By): 
Pace, Charles H. (Henry)
1944

For SATB choir, soprano or tenor soloist, and piano.

He Is Sunshine to My Soul

Artist (Composed By): 
Pace, Charles H. (Henry)
1958

For solo voice and piano.

He Leadeth Me beside Still Waters

Artist (Composed By): 
Foster, Stephen C. (Collins)
1863

“He Leadeth Me Beside Still Waters” was included in Waters’ Golden Harp for Sunday Schools, which was submitted for copyright deposit on April 14, 1863, by Horace Waters. It was later republished in The Athenaeum Collection of Hymns and Tunes for Church and Sunday School (New York: Horace Waters, 1863). The author of the text was Joseph H. Gilmore.

He Said If I Be Lifted Up

Artist (Composed By): 
Pace, Charles H. (Henry)
1935

For SATB choir.

Helix

Artist (Composed By): 
Rivers, Sam (Carthorne)

Hero and Leander

Artist (Composed By): 
Foerster, Adolph M. (Martin)
ca.
1908

For voice and piano. The manuscript in Foerster’s hand is dated January 14, 1908. 

Hero and Leander, op. 44

Artist (Composed By): 
Foerster, Adolph M. (Martin)
1897

For orchestra. The manuscripts are in Adolph M. Foerster’s hand. They are dated July 4, 1897.

Hero and Leander, op. 80, no. 2

Artist (Composed By): 
Foerster, Adolph M. (Martin)
ca.
1897-1908

For medium voice and piano. The manuscript is in Adolph M. Foerster’s hand. 

He’ll Meet Me at the End of the Road

Artist (Composed By): 
Pace, Charles H. (Henry)
1944

For solo voice and piano. 

He’s Everything to Me and He’s Alright

Artist (Composed By): 
Pace, Charles H. (Henry)
1947

For SATB chorus and piano.

He’s Sweeter as the Years Roll By

Artist (Composed By): 
Pace, Charles H. (Henry)
1947

For solo voice and piano.

Hide My Soul

Artist (Composed By): 
Pace, Charles H. (Henry)
1943

For SATB choir, two soprano soloists, and piano. On the published score, Charles H. Pace labeled the work “a Spiritual Anthem for mixed voices.”

Hold Not Thy Peace

Artist (Composed By): 
Pace, Charles H. (Henry)
1958

For solo voice and piano.

Holiday Schottisch

Artist (Composed By): 
Foster, Stephen C. (Collins)
1851

“The Holiday Schottisch” was entered for copyright on July 2, 1853, by Firth, Pond & Co.

The Hour for Thee & Me

Artist (Composed By): 
Foster, Stephen C. (Collins)
1852

“The Hour for Thee and Me” was entered for copyright entry on July 9, 1852, by Firth, Pond & Co. There is no record of copyright deposit.

Evelyn Foster Morweck writes in The Chronicles of Stephen Foster’s Family, “After his return from the South in March, 1852, Stephen published that year ‘Massa’s in de Cold Ground,’ ‘The Hour for Thee and Me,’ ‘I Cannot Sing Tonight,’ and ‘Maggie by My Side.’”