For solo voice and piano.

“Choral Harp” was published in The Athenaeum Collection of Hymns and Tunes for Church and Sunday School, which was submitted for copyright deposit on December 9, 1863, by Horace Waters. William Ross Wallace authored the lyrics.

“Come Where My Love Lies Dreaming” was submitted for copyright deposit on June 28, 1855, by Firth, Pond & Co.

According to Evelyn Foster Morneweck’s The Chronicles of Stephen Foster’s Family: 

“Comrades Fill No Glass for Me” was submitted for copyright deposit on November 23, 1855, by Miller & Beacham, Baltimore. The songs lyrics were published in the Cincinnati Gazette on January 22, 1857, in an article on Foster written by John B. Russell.

According to Evelyn Foster Mornweck’s The Chronicles of Stephen Foster’s Family:

In the six months immediately following his father’s death, Stephen published only two songs, “The Village Maiden” and “Comrades, Fill No Glass for Me.”

Later she writes:

The concerto is in three movements: Prelude, Romanza, and Finale. The manuscripts are dated July–August 1904. The second movement, Romanza, was originally a standalone composition. The manuscripts in Adolph M. Foerster’s hand for that composition are dated November 24, 1898.

Although there are no copyright records for Stephen C. Foster’s “Cora Dean,” Firth, Pond & Co. published the song as No. 47 in its “Foster’s Melodies” series. The following song in the series, “Under the Willow She's Sleeping,” was copyrighted on May 3, 1860. It can be inferred that “Cora Dean” was written and composed around the same time. The placement of drafts of the song’s lyrics in Foster’s sketchbook supports this inference.

According to Evelyn Foster Morneweck’s The Chronicles of Stephen Foster’s Family: