The autograph manuscript of Fidelis Zitterbart’s “Music’s Phases,” a suite for solo piano, is dated November 27, 1902. The movements are inspired by the poetry of C. Tulloch. 

I. Introductione (Moderato-con moto et molto-esspressione)

II. Cradle song (Adagio-con moto et cantabile)

III. Capriccio (Presto)

IV. Marcia eroica

V. Marcia funebre

VI. Religioso fantastique

VII. Finale (Moderato-con grazioso et Allegro-spiritoso)

The autograph manuscript for Fidelis Zitterbart’s Suite for Solo Piano, “Christmas,” is dated December 14, 1902. The piece is dedicated “to Mrs. Agnes Braun.”

I. Introductione: Moderato-maestoso

II. Under the magnolia

III. Valse impromptu (La esmeralda)

IV. Finale

The six movements in Fidelis Zitterbart’s Suite No. 2 (“The Nursery”) for Solo Piano are based on nursery rhymes. The piece is dedicated to Beatrice and Cedric Braun. 

I. Jack and Jill

II. Little Pig Went to the Market

III. Little Bo Peep

IV. Ba Ba Black Sheep

V. Mother Goose

VI. Cinderella’s Valse 

The dedication on the autograph manuscript for Fidelis Zitterbart’s Suite No. 4 for Solo Piano in F minor is to “Mrs. C. Zitterbart.” The manuscript is dated April 5, 1900. 

I. Introduzione quasi praeludio

II. Canzonetta

III. Minuet

IV. Meditation

V. Finale. Tema et uno variatione et scherzo vivace