The autograph manuscript of Fidelis Zitterbart’s “Music’s Phases,” a suite for solo piano, is dated November 27, 1902. The movements are inspired by the poetry of C. Tulloch. 

I. Introductione (Moderato-con moto et molto-esspressione)

II. Cradle song (Adagio-con moto et cantabile)

III. Capriccio (Presto)

IV. Marcia eroica

V. Marcia funebre

VI. Religioso fantastique

VII. Finale (Moderato-con grazioso et Allegro-spiritoso)