Parlor Music

Little Ella

Artist (Composed By): 
Foster, Stephen C. (Collins)
1853

“Little Ella” was entered for copyright on December 13, 1853, by Firth, Pond, & Company. Foster arranged “Little Ella” with guitar accompaniment (copyright December 5, 1854), which introduced melodic changes that Foster had his publisher introduce retroactively into the piano-vocal version.

Lizzie Dies To-Night

Artist (Composed By): 
Foster, Stephen C. (Collins)
1861

“Lizzie Dies To-Night” was entered for copyright on May 9, 1861, and deposited on May 23, 1861, by Daughaday & Hammond of Philadelphia. The author of the lyrics was Mary Bynon Reese. The song was originally published in Clark’s School Visitor in May, 1861. Horace Waters’s sheet-music edition from 1862 includes corrections.

Lula Is Gone

Artist (Composed By): 
Foster, Stephen C. (Collins)
1858

Firth, Pond & Co. entered and deposited “Lula Is Gone” for copyright on April 19, 1858. Foster wrote a companion song called “Where Has Lula Gone” that was copyrighted shortly after on September 7, 1858.

According to Evelyn Foster Mornweck’s The Chronicles of Stephen Foster’s Family:

Maggie by My Side

Artist (Composed By): 
Foster, Stephen C. (Collins)
1852

Firth, Pond & Co. entered “Maggie by My Side” for copyright on October 14, 1852, depositing a title page on that day as well. An arrangement of “Maggie by My Side” with guitar accompaniment was entered and deposited for copyright on September 20, 1854, by Firth, Pond & Co.

According to Evelyn Foster Mornweck’s The Chronicles of Stephen Foster’s Family, “After his return from the South in March, 1852, Stephen published that year ‘Massa’s in de Cold Ground,’ ‘The Hour for Thee and Me,’ ‘I Cannot Sing Tonight,’ and ‘Maggie by My Side.’”

Mary Loves the Flowers

Artist (Composed By): 
Foster, Stephen C. (Collins)
1850

“Mary Loves the Flowers” was entered and deposited for copyright on January 16, 1850, by Firth, Pond & Co. 

Melinda May

Artist (Composed By): 
Foster, Stephen C. (Collins)
1851

WARNING: This is a blackface minstrel song, a genre that features demeaning caricatures rooted in racism and white supremacy.

“Melinda May” was entered and deposited for copyright on January 6, 1851, by F. D. Benteen of Baltimore. The copyright claim on the sheet music states 1850, which means the copyright entry was most likely delayed for the new year.

Merry Little Birds Are We

Artist (Composed By): 
Foster, Stephen C. (Collins)
1862

“Merry Little Birds Are We” was entered and deposited for copyright on June 10, 1862, by Horace Waters of New York.

Mine Is the Mourning Heart

Artist (Composed By): 
Foster, Stephen C. (Collins)
1861

“Mine Is the Mourning Heart” was entered for copyright on January 17, 1861, and deposited on February 1, 1861, by Daughaday & Hammond of Philadelphia. 

On February 1, 1861, Daughaday & Hammond deposited a caption title for the song cut from a January 17, 1861, issue of Clark’s School Visitor, however no copy is known to survive. Like other songs that first appeared in Clark’s, “Mine Is the Mourning Heart” was later published in sheet music form, in this case by Root & Cady in May, 1863.

Molly Dear Good Night

Artist (Composed By): 
Foster, Stephen C. (Collins)
1861

“Molly Dear Good Night” was entered and deposited for copyright on April 6, 1861, by Firth, Pond & Co.

According to Evelyn Foster Mornweck’s The Chronicles of Stephen Foster’s Family, “In 1861, Stephen published only four songs with his old firm, Firth, Pond & Company: ‘Don’t Bet Your Money on de Shanghai,’ a pleasant return to his old-time rollicking minstrel style, ‘Molly Dear, Good Night,’ ‘Our Willie Dear is Dying,’ and ‘Farewell, Sweet Mother.’”

Molly Do You Love Me?

Artist (Composed By): 
Foster, Stephen C. (Collins)
1850

The 1850 Maryland copyright records give the dates as entry and deposit as May 16, 1850. The deposit copy in the Library of Congress is dated May 6, 1850.

Pages