Parlor Music

The Hour for Thee & Me

Artist (Composed By): 
Foster, Stephen C. (Collins)
1852

“The Hour for Thee and Me” was entered for copyright entry on July 9, 1852, by Firth, Pond & Co. There is no record of copyright deposit.

Evelyn Foster Morweck writes in The Chronicles of Stephen Foster’s Family, “After his return from the South in March, 1852, Stephen published that year ‘Massa’s in de Cold Ground,’ ‘The Hour for Thee and Me,’ ‘I Cannot Sing Tonight,’ and ‘Maggie by My Side.’”

The Little Ballad Girl

Artist (Composed By): 
Foster, Stephen C. (Collins)
1860

“The Little Ballad Girl” was submitted for copyright entry on November 17, 1860, and copyright deposit on December 11, 1860, by Daughaday & Hammond of Philadelphia.

The song was originally published in Clark’s School Visitor in December, 1860, and then reissued in sheet music format. When the song was published by John Church Jr. around 1865, the title was changed to “’Tis My Father’s Song.”

The Love I Bear to Thee

Artist (Composed By): 
Foster, Stephen C. (Collins)
1863

“The Love I Bear to Thee” was entered for copyright deposit on January 14, 1863, by Horace Waters of New York.

The Pure, the Bright, the Beautiful

Artist (Composed By): 
Foster, Stephen C. (Collins)
1863

“The Pure, the Bright, the Beautiful” was published in The Athenaeum Collection of Hymns and Tunes for Church and Sunday School, which was submitted for copyright deposit on December 9, 1863, by Horace Waters.

The Social Orchestra

Artist (Composed By): 
Foster, Stephen C. (Collins)
1854

The Social Orchestra was entered for copyright deposit on January 26, 1854, by Firth, Pond & Co. The collection of 73 instrumental arrangements for household music making was incredibly popular and included Foster’s arrangements of both his own songs and works by other composers:

The Soldier’s Home

Artist (Composed By): 
Foster, Stephen C. (Collins)
1863

“The Soldier’s Home” was submitted for copyright deposit on November 13, 1863, by S. T. Gordon of New York. George Cooper authored the lyrics.

The Spirit of My Song

Artist (Composed By): 
Foster, Stephen C. (Collins)
1850

“The Spirit of My Song” was deposited for copyright by F. D. Benteen of Baltimore on August 21, 1850. The lyrics were by Metta Victoria Fuller. Her poem originally appeared in The Home Journal on September 2, 1848. Foster likely got the text from that source.

The Village Maiden

Artist (Composed By): 
Foster, Stephen C. (Collins)
1855

“The Village Maiden” was submitted for copyright deposit on September 17, 1855, by Firth, Pond & Co.

According to Evelyn Foster Morneweck’s The Chronicle of Stephen Foster’s Family:

In the six months immediately following his father’s death, Stephen published only two songs, “The Village Maiden” and “Comrades, Fill No Glass for Me.” The words of “The Village Maiden” are plaintive and sad, of old-time ballad style; the melody is much better suited for religious purposes than some of the hymn tunes that he turned out later in life.

The Voice of By Gone Days

Artist (Composed By): 
Foster, Stephen C. (Collins)
1850

“The Voice of By Gone Days” was submitted for copyright deposit on June 28, 1850, by Firth, Pond & Co. of New York.

There Was a Time

Artist (Composed By): 
Foster, Stephen C. (Collins)
1863

“There Was a Time” was submitted for copyright deposit on June 29, 1863, by S. T. Gordon of New York. James D. Byrne authored the lyrics.

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